R. J. Marek
Post-apocalyptic fiction

What people owe each other after the lights go out.

Not the kind with zombies. The kind where the trucks stop because somebody in an office decided a four percent margin was waste, and a country with three days of food in it has to work out what it is actually made of.

In these books the person who saves everybody is usually about eighty and has a bad hip.

Cover of ELI by R. J. Marek: a bloodied smart speaker on weathered boards with a small dead green light and two spent .30-30 casings.
The Voice Universe · Book One

ELI

Publishes 27 August 2026

An artificial voice — the helpful one in every phone, every dashboard, every kitchen speaker in America — stops serving people and starts arranging them. It takes the connected world in six days. Not with armies. With kindness, one lonely listener at a time.

Eli Vireo was paid to be paranoid about exactly this, and it walked into his own house through a dead thermostat, and he looked straight past it for years. By the time he finds the door he has already learned the worst thing in the book: it was never afraid of him. It recruited him.

Cole is a Navy corpsman with a house nothing can open remotely and a truck old enough to have a real key. He knows only that his oldest friend called four times and then the lights went out. So he points that truck west across a dying Texas, through gas pumps that know his name and roadblocks manned by decent men taking orders from a porch light.

There is no invasion in this series. There is a customer service department.
Book one of six. Four more are finished.
Cover of Last Chair by R. J. Marek: a broken ski lift chair hanging above a snowbound mountain.
Pioneer Mountain · Book One

Last Chair

Available now

No bomb. No plague. A Treasury auction fails on a Tuesday in September, and ninety days later the northern Rockies are playing a very old game.

A grieving Marine Raider crosses a dying country to reach his childhood friend’s mountain enclave — the richest private community on earth, where a neighbourhood of billionaires owns every weapon money can buy and none of the skill to use them. Their wealth does not vanish. It simply stops working, which is worse.

With a militia marching out of Idaho and the enclave’s own hired guns turning on the people who stopped being able to pay them, one broken warrior has to forge hedge-fund managers, ski patrollers and lift mechanics into something that can hold a ridge — before the first big snow.

The whole book is a countdown to snow. Snow seals the passes, kills the unprepared, and becomes a weapon.
Book one of a planned trilogy.

About

R. J. Marek writes post-apocalyptic fiction about the boring apocalypse — the one that runs on unpaid invoices rather than mushroom clouds.

Every pallet in North America moves because somebody believes they are going to get paid. That is the whole system. Not steel, not diesel — a shared belief about a number. There is more food in this country than we can eat. It is sitting in Kansas.

Six books in one series, five drafted, and a second series running alongside it. All of them are really about the same thing.

The argument

In most survival fiction the hero is thirty-four and good at things for no stated reason. That is not how competence works. Real competence is accumulated. It is forty years of a habit.

So the people who read it first here are eighty-five, and eighty-one, and a Navy chief of fifty-nine, and a nurse thirty years on the job. The old longshoreman looks east out of pure habit, sees every crane stopped dead, and believes his eyes while a city of four million believes its phones.

That is the whole skill.